top of page
Swirly Owl.jpg
MFL Logotype+Tag Stacked Yellow.png
MFL-Trillium BTS-10.jpg

Mates for Life is a series of performing arts films with the goal of connecting people to nature. Inspired by the phenomenon of bird species that mate for life, the series captures the intimacy and beauty of different pairs.  The forthcoming installment: barn owls is a choreographed dance interpretation of avian movement crafted specifically to inspire both supporters of conservation and the arts, resulting in more engagement and support for both of these groups.  

MFL Badge.png

The earth and the arts desperately need saving. 

By cross pollinating these groups through film, we seek to bolster the support for endangered bird habitats and arts groups.

 

The Story So Far

Spring 2023
Mates for Life - Whooping Crane was completed and screened at several film and conservation festivals. And will release online on "Whooping Crane Day" - May 28, 2025.

Summer 2024
Xavi Núñez (Choreographer) was awarded the ACE Fellowship from Trillium Arts  and Tim Whalen (Director) along with two dancers were able to meet a barn owl, work on choreography and share our work with an audience on the farm at Trillium.  

Project Status

Project Status

During our artist residency at Trillium Arts, we spent each day in the studio working on movement resulting in around 4 minutes of completed choreography. This movement was inspired by a trip to visit a Barn Owl, Orion who is cared for by Carlton Burke. This one-of-a-kind experience had us face to face with the magnificent raptor allowing us to observe his subtleties first hand. Check out a sneak peek at the choreography and a look at the process below.

MFL-Trillium BTS-7.jpg

Why it's Important.

The barn owl is an important part of the ecosystem in their habitat, their major role is regulating small mammal populations. While not endangered, habitats like theirs need our preservation. Open prairies were once the majority in North America, but only slivers of them are left due to agriculture. Preserving and rebuilding these habitats not only benefit the barn owl, but all of the species in their ecosystem.


The goal of Mates for Life is for people to connect, learn, grow and give what they can to both the arts and environmental communities. This project is poised to be a catalyst to motivate a new generation of conservationists and theater goers and support these important efforts long into the future. 

Barn Owl

Story Brief 

Act I - Leaving the Roost
Two owls are ‘perched’ in the forest, it’s quiet and the sun is barely peeking light through the trees as the owls prepare for nightfall. 
As the darkness consumes them, they start to come alive with movements in unison that are subtle at first and intensify as they ready for their nightly hunt. 
Their movement hits full stride as they glide gracefully, silently, intensely through the night the camera only catching glimpses of them in the ‘moonlight’.
 

Act II - The Hunt
We transition to the STUDIO SET (to allow the dancers to fully realize their movement in a safe setting). The studio set is a stylized version of the forests with tree trunks for dancers to weave in and out of. The dancers will also transform into barn owls using shadow puppetry and wire harnesses! The dancers in shadow (seen in the end of the Choreography video above) will interact with the screen, sometimes taking flight themselves and other times letting a fully realized owl puppet take flight before emerging again as human.

Act III - Returning Home

After the ‘hunt’ is over, the owls return to THE FOREST to rest as the sun emerges from the horizon, mimicking movements and settling in to roost until the following night.

Creative Leads

Tim.jpg
Xavi.jpeg

Since Whooping Crane, Tim and Xavi have have not only started work on Barn Owl but have also collaborated on Cosmic Rhythms an immersive experience currently on view at the Adler Planetarium in Chicago, IL. 

Project Timeline

END OF MAY 2025

Funding Launch - Public Release of Whooping Crane on May 28 to help inspire donations


JUNE 2025

Early Funding Goal (15-25%)  to cover Final Choreo and early Pre-production


AUGUST 2025

Locations, Costumes, Crew is locked and ready for shoot. Round 2 funding (hopefully 50% of goal) is reached


OCT - DEC 2025

INDOOR SHOOTING TIME WINDOW - Studio booked, props, projection, wire logistics happen / Final funding push with new materials from Studio Shoot (if necessary)


LATE SPRING 2026

OUTDOOR SHOOTING TIME WINDOW - Dates/travel are locked, outdoor production happens, shooting is wrapped.


LATE SPRING 2026

Edit begins


EARLY SUMMER 2026

Edit locked, Music Score, Color/Sound Finishing


LATE SUMMER 2026

Film Premiere! Plus, Send to film festivals, work on packaging with Whooping Crane as proof of concept for series pitch for distribution

Funding Goal

$200k

This is our ideal budget and covers all aspects of pre-production, rehearsal, production, editing and the hard costs of distribution (lawyer, distributor fee, film festival submissions). We aim to pay our artists and crew fair wages and try to be as resourceful as possible when renting equipment. For Whooping Crane we had numerous gracious equipment sponsors that provided gear to us at low or no cost as their contribution to the project.

~$15k

~$75k

~$70k

~$45k

Funding Bar.png

PRE-PRO

Creative
Production Logistics

Choreography

Rehearsals

OUTDOOR PRODUCTION

Crew
Equipment
Meals

Travel

IN-STUDIO PRODUCTION

Crew
Equipment
Meals

Studio Rental
Wire Rigging
Shadow Screen/Puppeteers

POST PRODUCTION

Editing
Sound Mixing
Score/Music Licensing
Color Correction

Distribution Costs

MFL-Trillium BTS-71.jpg
Trillium Logo Vertical - 2000 wide-wht txt.png

Funding Partner

Trillium Arts (501c3) has graciously agreed to be a fiscal sponsor of the Mates for Life - Barn Owl project. This amazing opportunity allows a tax exempt donation to help fund choreography and production of the project. 

Future of the Project

openlands-logo-grn.png
American Bird Conservancy-grn.png

The whooping cranes project served as a proof of concept and was self-funded by the director and his production company, Big Foot Media. With the success of this project, we hope to attract a conservation-minded sponsor(s) to help fund the barn owl project to pay for crew and filming expenses. Each project will align with a conservation organization and arts organization to push a call to action at the end so viewers make a difference. 

 

Possible Non-Profit Alignments:
 

bottom of page